Your audience already has the footage. Crowdflow hands them a brief, collects what they shoot, and keeps you as the person who decides what makes the cut. Everyone in the finished video shares what it earns, worked out to the second.
You can batch. You can plan a month ahead and hire an editor. You still have to be somewhere with a camera for every second that goes out, and the week you cannot be is the week the channel goes quiet. Meanwhile the people watching are standing in the places you would film, holding better cameras than you had five years ago.
Post a Story Call: what you need, by when, and the share on offer. It goes out as a link. Your viewers film it on the phones already in their pockets.
Footage arrives transcribed, described and searchable. You accept what you want, decline the rest, and a storyboard orders the keepers into a cut. It even tells you which shot nobody filmed yet. Nothing reaches a video without you saying so.
Upload the finished cut and Crowdflow reads it back against the library to work out whose footage is actually in it, not whose was planned. The share splits by seconds used, and every contributor can see the arithmetic behind their own figure.
You set the numbers before anybody films, and they print on every public call page exactly as set. A worked month, and the card a contributor reads:
You approve every clip and every cut. A Story Call is a request, not a queue that publishes itself.
A share is a percentage of what a video makes. You set the rate before anybody films. If a video makes nothing, a share of it is nothing.
Contributors keep ownership and license the footage to your channel. Acceptance is recorded with a timestamp before a single file uploads.
The same ledger pointed the other way. Perk crowdfunding for a campaign an organiser runs, with tiers at a stated market value, caps, entry tracking and a public budget showing where the money went. Crowdflow never holds the funds, and a backer receives perks and entries rather than a stake.